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2024.12. Á¦·Î¿þÀ̽ºÆ®¿Í ¹öÃß¾ó ¸ðµ¨¸µÀ» Ȱ¿ëÇÑ ÇѺ¹ À¯´ÏÆû °³¹ß ¿¬±¸ / º¹½Ä 74±Ç 6È£ pp.94-116
2024.11.2. Exploring AI-Driven Fashion Design - A study on simulation using generative AI for fashion ideation / 2024³âµµ Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãß°èÇмú´ëȸ pp.210-212
2024.11.2. ½Ã¼± Àüȯºóµµ ºÐ¼®À» ÅëÇÑ AI »ý¼º ÆÐ¼ÇÀ̹ÌÁö ÀÎÁö Â÷ÀÌ ¿¬±¸ / 2024³âµµ Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãß°èÇмú´ëȸ pp.63-65
2024.8.20-21. Study on the Recognition Process of Hanbok Images through Eye Tracking -Focused on Gaze Transition Rate- / 2024 ICC(The International Costume Congress) p.114
2024.7.6-9. Emotional Evaluation and Cognitive Process Exploration Through Gaze Tracking in AI-Generated Fashion Imagery / 2024 SFTI-Fukuoka International Conference p.127
2024.7.6-9. A Study on the Differences in Emotional Evaluation of Hanbok Images According to Model Types / 2024 SFTI-Fukuoka International Conference, p.128
2024.6. ºòµ¥ÀÌÅÍ¿¡ ³ªÅ¸³­ ÇѺ¹ À̹ÌÁö °¨¼º Æò°¡¿¡ °üÇÑ ¿¬±¸ / º¹½Ä 74±Ç 3È£ pp.54-73
2024.5.25. Á¦·Î¿þÀ̽ºÆ®¸¦ Ȱ¿ëÇÑ ÇѺ¹ À¯´ÏÆû µðÀÚÀÎ ¿¬±¸ / 2024³âµµ Çѱ¹º¹½ÄÇÐȸ Ãá°èÇмú´ëȸ pp.23-24
2024.2. ³²¼ºº¹¿¡ ³ªÅ¸³­ µµ½Ãº° Ä÷¯ Ư¼º¿¡ °üÇÑ ¿¬±¸ -2010¡­2019³â Paris, Milan, New York, Tokyo, London Ä÷º¼ÇÀ» Áß½ÉÀ¸·Î- / Çѱ¹ÀÇ·ùÇÐȸ 48±Ç 1È£ pp.1-19
2023.11.4. ChatGPT¿Í Midjourney¸¦ Ȱ¿ëÇÑ AI ÆÐ¼ÇÀ̹ÌÁö »ý¼º¿¡ °üÇÑ ¿¬±¸ / 2023³âµµ Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãß°èÇмú´ëȸ pp.351-352
2023.10. ºòµ¥ÀÌÅ͸¦ Ȱ¿ëÇÑ COVID-19 ÀüÈÄ ÇѺ¹ À̹ÌÁö ÀÎÁö ¼Ó¼º Àṉ̀¸Á¶ ºÐ¼®¿¡ °üÇÑ ¿¬±¸ / º¹½Ä 73±Ç 5È£ pp.124-145
2023.10. ºòµ¥ÀÌÅ͸¦ Ȱ¿ëÇÑ ¸ÞŸÆÐ¼Ç Àṉ̀¸Á¶ ºÐ¼®¿¡ °üÇÑ ¿¬±¸ -'¸ÞŸ¹ö½º' + 'ÆÐ¼ÇµðÀÚÀÎ' Ű¿öµå¸¦ Áß½ÉÀ¸·Î- / Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸÁö 25±Ç 5È£ pp.549-559
2023.7.6-8. A Study on Flipped Learning Methods and the Development of Learning Materials for Fashion Illustration / 2023 SFTI-Piattaforma Moda International Conference pp.149-150
2023.6. ÇѺ¹ µðÀÚÀÎ ÀÎÁö ¼Ó¼º ¿äÀÎÀ¸·Î½á ¸ðµ¨ Ȱ¿ë °æÇâ¿¡ °üÇÑ ¿¬±¸ / º¹½Ä 73±Ç 3È£ pp.43-62
2023.5.20. ºòµ¥ÀÌÅ͸¦ Ȱ¿ëÇÑ ¸ÞŸÆÐ¼Ç µ¿Ç⠺м® / 2023³âµµ Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãá°èÇмú´ëȸ pp.260-261
2023.5.13. COVID-19 ÀüÈÄ, ÇѺ¹ À̹ÌÁöÀÇ °¨¼º ÀÎÁö ¿ä¼Ò ºÐ¼® / 2023³âµµ Çѱ¹º¹½ÄÇÐȸ Á¤±âÃÑȸ ¹× Ãá°èÇмú´ëȸ pp.171-172
2023.4. ´ëÇÐ ºñ±³°ú ±³À°°úÁ¤ ¿î¿µ »ç·Ê ºÐ¼® ¿¬±¸ -µ¿¾Æ´ëÇб³ ½º¸¶Æ®Å×Å©ITÀ¶ÇÕ ÆÐ¼ÇÀü¹®Àη¾缺±³À°°úÁ¤À» Áß½ÉÀ¸·Î- / ÇнÀÀÚÁ߽ɱ³°ú±³À°¿¬±¸ 23±Ç 7È£ pp.169-182.
2023.4.15. ÆÐ¼Ç»ê¾÷°èÀÇ ¸ÞŸÆÐ¼Ç ±â¼úÀνĿ¡ °üÇÑ Å½»öÀû Á¶»ç ¿¬±¸ / 2023³âµµ Çѱ¹ÀÇ·ùÇÐȸ Á¦47ȸ Á¤±âÃÑȸ ¹× Ãá°èÇмú´ëȸ p.333
2022.9.30. µå·ÎÀ× Ãʺ¸ÀÚ¸¦ À§ÇÑ ÆÐ¼ÇÀÏ·¯½ºÆ®·¹ÀÌ¼Ç / µ¿¾Æ´ëÇб³ÃâÆÇºÎ
2022.5.26-27. A Study on Characteristics of Color Trends Seen in Menswear Collections by City -Focused on Menswear Collections Presented in Paris, Milan, New York, Tokyo, and London from 2010 to 2019- / 2022 International Conference on Clothing and Textiles(ICCT) pp.440-441
2022.5.21. ½º¸¶Æ®Å×Å©ÆÐ¼ÇÀü¹®Àη¾缺 ±³À°°úÁ¤ °³¹ß ¹× ¿î¿µ »ç·Ê ºÐ¼® -µ¿¾Æ´ëÇб³ ½º¸¶Æ®Å×Å©ITÀ¶ÇÕÆÐ¼ÇÀü¹®Àη¾缺±³À°°úÁ¤À» Áß½ÉÀ¸·Î- / 2022³âµµ Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãá°èÇмú´ëȸ pp.365-366
2021.6. ½Ã¼± ÃßÀûÀ» Ȱ¿ëÇÑ ÆÐ¼Ç µðÀÚÀÎ ÀÎÁö¿¡ °üÇÑ ¿¬±¸ / Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸÁö 23±Ç 3È£ pp.323-336
2020.12. Á¦·Î¿þÀ̽ºÆ® ÆÐ¼ÇÇѺ¹ °³¹ß¿¡ °üÇÑ ¿¬±¸ -¹öÃß¾ó ÇÇÆÃ ½Ã¹Ä·¹À̼ÇÀ» Áß½ÉÀ¸·Î- / Çѱ¹µðÀÚÀι®È­ÇÐȸÁö 26±Ç 4È£ pp.361-372
2019.12. ±¹³» Ȩ¼îÇÎ ¿Â¶óÀÎ ÆäÀÌÁöÀÇ ¸ðµ¨ Ȱ¿ë °æÇ⠺м® -¸ðµ¨ Ȱ¿ë È«º¸ Á¦Ç° À¯Çü°ú ÀÎÁ¾À» Æ÷ÇÔÇÑ ¸ðµ¨ À¯ÇüÀ» Áß½ÉÀ¸·Î- / Çѱ¹µðÀÚÀι®È­ÇÐȸÁö 25±Ç 4È£ pp.391-404
2019.10. ³²¼ºº¹ Ä÷º¼Ç¿¡ ³ªÅ¸³­ Ä÷¯ Æ®·»µå¿¡ °üÇÑ ¿¬±¸ –2007 S/S ~ 2016 F/W ½ÃÁðÀ» Áß½ÉÀ¸·Î- / Çѱ¹ÀÇ·ùÇÐȸÁö 43±Ç 5È£ pp.666-681
2019.10.5. ÀüÅ빮ȭ À̹ÌÁö¿Í 'ÇѺ¹½º·¯¿ò'¿¡ °üÇÑ °íÂû / 2019³âµµ ÇѺ¹¹®È­ÇÐȸ Ãß°èÇмú´ëȸ pp.107-109
2019.7.15-18. Analysis of Model Utilization Trends in the Hanbok Industry / 2019 SFTI International Conference pp.66-67
2019.6. ¾Æ½Ã¾Æ ÆÐ¼Ç¾÷°èÀÇ ¸ðµ¨ ¼Ó¼º ¿äÀΰú À̹ÌÁö ÀÎÁö¿¡ °üÇÑ ¿¬±¸ -2017 F/W ¼­¿ïÆÐ¼ÇÀ§Å©¿Í È«ÄáÆÐ¼ÇÀ§Å© ºñ±³¸¦ Áß½ÉÀ¸·Î- / Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸÁö 21±Ç 3È£ pp.288-299
2019.4.12. Zero-Waste Fashion Hanbok Design from the Point of Virtual Fitting / 2019 The Society Korean Traditional Costume International Conference pp.225-228
2019.3.30. ÆÐ¼Ç °øÀ¯ Ç÷§Æû È®»êÀ» À§ÇÑ Å½»öÀû ¿¬±¸ -Çѱ¹°ú Áß±¹ÀÇ ÆÐ¼Ç °øÀ¯ Ç÷§Æû ºñ±³ ºÐ¼®À» Áß½ÉÀ¸·Î- / Çѱ¹µðÀÚÀι®È­ÇÐȸÁö 25±Ç 1È£ pp.1-14
2018.9. ÀÔÇÐÀüÇü À¯Çüº° Àü°ø ¼±Åà ¹× Çб³»ýȰ ½ÇÅÂÁ¶»ç ¿¬±¸ -µ¿¾Æ´ëÇб³ ÀçÇлýÀ» Áß½ÉÀ¸·Î- / ÇнÀÀÚÁ߽ɱ³°ú±³À°ÇÐȸ 18±Ç 17È£ pp.199-219
2018.7.11-13. Cognition and Eye Tracking of Fashion Design / 2018 SFTI International Conference pp.61-62
2018.4. ÆÐ¼Ç ¸ðµ¨ À¯Çü º¯È­¿¡ µû¸¥ µðÀÚÀÎ ÀÎÁö Â÷ÀÌ¿¡ °üÇÑ ¿¬±¸ -½Ã¼±ÃßÀûÀ» Ȱ¿ëÇÑ Å½»öÀû ºÐ¼®- / Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸÁö 20±Ç 2È£ pp.167-176
2017.11.18. µðÀÚÀÎ ÀÎÁö °úÁ¤À» È®ÀÎÇÏ´Â ½Ã¼±ÃßÀû ÇÁ·Î±×·¥ °³¹ß ¹× Ȱ¿ë¿¡ °üÇÑ ¿¬±¸ / 2017³âµµ Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãß°èÇмú´ëȸ p.175
2017.10.21. ±¹³» Ȩ¼îÇÎÀÇ ¸ðµ¨ °æÇ⠺м® -·Ôµ¥, Çö´ë, CJ, GS, HS Ȩ¼îÇÎ »çÀÌÆ® ¸ÞÀÎ ÆäÀÌÁö¸¦ Áß½ÉÀ¸·Î- / 2017³âµµ Çѱ¹ÀÇ·ùÇÐȸ Ãß°èÇмú´ëȸ p.167
2017.10.14. ¾Æ½Ã¾Æ ÆÐ¼Ç¾÷°èÀÇ ¸ðµ¨ ÀÎÁ¾¿¡ µû¸¥ ÆÐ¼Ç À̹ÌÁö ÀÎ½Ä ¿¬±¸ -¼­¿ïÆÐ¼ÇÀ§Å©¿Í È«ÄáÆÐ¼ÇÀ§Å© Âü°¡ ¾÷ü ºñ±³¸¦ Áß½ÉÀ¸·Î- / 2017³â ÇѺ¹¹®È­ÇÐȸ Ãß°èÇмú´ëȸ pp.192-194
2017.9. ÆÐ¼Ç Äݶ󺸷¹ÀÌ¼Ç À¯Çü °æÇâ ¹× »ç·Ê ºÐ¼® -±¹³» ¿¬±¸ ³í¹® °Ô½Ã »ç·Ê¸¦ Áß½ÉÀ¸·Î- / Çѱ¹µðÀÚÀι®È­ÇÐȸÁö 23±Ç 3È£ pp.591-604
2017.6.26-29. Research on the Development of a Smart Technology Fashion Training Program / 2017 Invited Summer International Design Conference of The Korean Society of Design Culture pp.77-78
2017.6.26-29. A Study on the Preference of White Models in the Fashion Industry / 2017 Invited Summer International Design Conference of The Korean Society of Design Culture pp.93-95
2017.6.26-29. Fashion Collaboration Trend Analysis / 2017 Invited Summer International Design Conference of The Korean Society of Design Culture pp.97-99
2017.4. 2013/14, 2014/15 F/W Ä÷º¼Ç¿¡ ³ªÅ¸³­ ¹úŰ ½Ç·ç¿§ ÄÚÆ® °æÇ⠺м® / Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸÁö 19±Ç2È£ pp.121-133
2017.3. ÆÐ¼Ç Äݶ󺸷¹ÀÌ¼Ç ±¹³» ¿¬±¸ °æÇ⠺м® -2005³â ÀÌÈÄ ¹ßÇ¥ ³í¹®À» Áß½ÉÀ¸·Î- / Çѱ¹µðÀÚÀι®È­ÇÐȸÁö 23±Ç 1È£ pp.457-467
2016.7.7. Suggestions for a Multi-camera Image Processing Technology Design and Utilization of a Fashion Online Platform / 2016 SFTI International Conference pp.64-65
2016.7.7. The Trend Analysis on the Sleeve Design of Bulky Coat -With the 2013/14, 2014/15 F/W Paris Collection- / 2016 SFTI International Conference p.77
2015.12. Co-Creation±â¹ÝÀÇ À¶ÇÕ µðÀÚÀÎ ±³À° Á¦¾È / Çѱ¹µðÀÚÀι®È­ÇÐȸÁö 21±Ç 4È£ pp.501-510
2015.11.7. 2000³â´ë ÀÌÈÄ ÆÐ¼Ç Äݶ󺸷¹ÀÌ¼Ç ¿¬±¸»ç·Ê¿Í °æÇ⠺м® / 2015³â Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãß°èÇмú´ëȸ p.115
2015.10. ÆÐ¼Ç¼î ¸ðµ¨ÀÇ ¿ÜÀû ÅëÀϼº Á¤µµ¿¡ µû¸¥ µðÀÚÀÎ ÄÁ¼Á ºÐ¼® -2014³â S/S Paris CollectionÀ» Áß½ÉÀ¸·Î- / Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸÁö 17±Ç 5È£ pp.718-730
2015.6. Áß±¹ ¿©¼ºº¹ ÆÐ¼Ç ½ÃÀåÀÇ Æ¯¼º ¹× µðÀÚÀÎ °æÇ⠺м® -»óÇØ Áö¿ªÀ» Áß½ÉÀ¸·Î- / Çѱ¹ÀÎü¹Ì¿ë¿¹¼úÇÐȸ 16±Ç 2È£ pp.75-95
2015.2. ÆÐ¼Ç¼Òǰ»ý»ê ºÐ¾ßÀÇ ±¹°¡Á÷¹«´É·ÂÇ¥ÁØ ±â¹Ý ±³À°ÈÆ·ÃÀÚ°Ý ¼³°è¿¡ °üÇÑ ¿¬±¸ / Çѱ¹º¹½ÄÇÐȸ Ü×ãÞ 65±Ç2È£ pp.125-143
2015.1. ÆÐ¼Ç¼Òǰ»ý»ê ºÐ¾ßÀÇ ±¹°¡Á÷¹«´É·ÂÇ¥ÁØ(NCS) °³¹ß¿¡ °üÇÑ ¿¬±¸ / Çѱ¹º¹½ÄÇÐȸ Ü×ãÞ 65±Ç1È£ pp.46-60
2014.11.22. Áß±¹ ÇöÁö »ê·ÇÐ ¿¬°è¸¦ ÅëÇÑ Áß±¹ ÆÐ¼Ç ½ÃÀå µðÀÚÀÎ °æÇ⠺м® / 2014 Çѱ¹ÀÎü¹Ì¿ë¿¹¼úÇÐȸ Ãß°èÇмú´ëȸ pp.27-31
2014.8.11. Analysis of Design Trends found in Bulky Coats introduced in 2013 F/W Paris Collection / 2014 SFTI International Conference p.65
2014.5.17. ÆÐ¼ÇµðÀÚÀÎ ÄÁ¼Á¿¡ µû¸¥ ÆÐ¼Ç¼î ¸ðµ¨ÀÇ ¿ÜÀû ÅëÀϼº¿¡ °üÇÑ ¿¬±¸ / 2014³â Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãá°èÇмú´ëȸ
2014.5.10. ÆÐ¼Ç¼Òǰ»ý»ê ºÐ¾ßÀÇ Á÷¹«´É·Â Ç¥Áذ³¹ß¿¡ °üÇÑ ¿¬±¸ / 2014³â Çѱ¹º¹½ÄÇÐȸ Ãá°èÇмú´ëȸ pp.253-254
2014.5.10. ÆÐ¼Ç¼Òǰ»ý»ê NCS Ȱ¿ëÆÐŰÁö ±â¹ÝÀÇ ±³À° ÈÆ·Ã ¼³°è¿¡ °üÇÑ ¿¬±¸ / 2014³â Çѱ¹º¹½ÄÇÐȸ Ãá°èÇмú´ëȸ pp.255-256
2013.11. µðÀÚÀÎ ±³À° Á¤Ã¼¼º È®¸³À» À§ÇÑ Å½»öÀû ¿¬±¸ -µ¿¼­¾ç »ç°í ±¸Á¶¿Í ÀÎÁö ½É¸® Â÷À̸¦ È®ÀÎÇÏ´Â ¼±Çà ¿¬±¸ ºÐ¼®À» ÅëÇÏ¿©- / Çѱ¹µðÀÚÀÎÆ®·»µåÇÐȸ Çѱ¹µðÀÚÀÎÆ÷·³ Vol.41 pp.171-183
2013.8. ÀλóÁÖÀÇ È¸È­ÀÇ È­¸éµî°¡ÀÇ ¹ýÄ¢¿¡ ±â¹Ý ÇÑ ÆÐ¼ÇµðÀÚÀÎ ¿¬±¸ / Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸÁö 15±Ç 4È£ pp.514-522
2013.7.8. Classification of Collaborative Design through Collaboration Type Analysis / 2013 SFTI International Conference pp.110-111
2013.4. Æ®·ÕÇÁ·ÚÀ¯ ÆÐ¼ÇµðÀÚÀÎÀÇ ÇüÅ »ý¼º ´ÙÀ̾î±×·¥¿¡ °üÇÑ ¿¬±¸ / Çѱ¹º¹½ÄÇÐȸ Ü×ãÞ 63±Ç3È£ pp.17-32
2012.11.24. ÀλóÁÖÀÇ È¸È­ÀÇ È­¸éµî°¡ÀÇ ¹ýÄ¢¿¡ ±â¹ÝÇÑ ¸ðƼÇÁ ºôµù ±â¹ý°ú ÆÐ¼ÇµðÀÚÀÎ »ç·Ê ºÐ¼® / 2012³âµµ Çѱ¹ÀÇ·ù»ê¾÷ÇÐȸ Ãß°èÇмú´ëȸ ³í¹®Áý pp.131-132
2012.4.28. Áß±¹ »óÇØ¿¡ ÁøÃâÇÑ Çѱ¹ ÆÐ¼Ç ºê·£µå ¸¶ÄÏ ¸®¼­Ä¡ / 2012³â Çѱ¹ÆÐ¼ÇºñÁî´Ï½ºÇÐȸ Ãá°èÇмú´ëȸ pp.280-284
2011.10.29. âÀDZ³À°À» À§ÇÑ ¹®Á¦Çذá Áß½ÉÀÇ Ã¢ÀÇÀû »ç°í°úÁ¤ °ü·Ã ¿¬±¸µ¿Çâ / 2011³â Çѱ¹ÆÐ¼ÇºñÁî´Ï½ºÇÐȸ Ãß°èÇмú´ëȸ pp.208-215
2011.10.29. âÀǼº Çâ»óÀ» À§ÇÑ µðÀÚÀλç°í°úÁ¤ ±â¹ÝÀÇ ±³À°¹æ¹ý¿¡ °üÇÑ °íÂû / 2011³â Çѱ¹ÆÐ¼ÇºñÁî´Ï½ºÇÐȸ Ãß°èÇмú´ëȸ pp.229-232
2010.4. ¸£³×»ó½º °íÀüÁÖÀÇ °ÇÃà¾ç½ÄÀÇ Á¶Çü¿ø¸®¿Í Çö´ëÆÐ¼ÇµðÀÚÀο¡ÀÇ Àû¿ë -1999³â ÀÌÈÄ Å¬·¡½Ä ½ºÅ¸ÀÏ ÆÐ¼ÇÀ» Áß½ÉÀ¸·Î- / º¹½Ä¹®È­ÇÐȸ º¹½Ä¹®È­¿¬±¸ 18±Ç 2È£ pp.261-276
2010.4. Æ÷½ºÆ®¸ð´õ´ÏÁò °ÇÃà¾ç½ÄÀÇ Á¶Çü¿ø¸®¿Í Çö´ëÆÐ¼ÇµðÀÚÀο¡ÀÇ Àû¿ë / ÇѺ¹¹®È­ÇÐȸ ùÛÜ×Ùþûù 13±Ç 1È£ pp.55-76
2010.1.31. ¸ð´õ´ÏÁò °ÇÃà¾ç½ÄÀÇ Á¶Çü¿ø¸®¿Í Çö´ëÆÐ¼ÇµðÀÚÀο¡ÀÇ Àû¿ë / Çѱ¹º¹½ÄÇÐȸ Ü×ãÞ 60±Ç 1È£ pp.117-134
2009.10.22-25. Layout Principles of Renaissance Classicism Architectural Style and Application in Modern Fashion Design / º¹½Ä¹®È­ÇÐȸ 2009³â Ãß°è ±¹Á¦º¹½ÄÇÐȸ(International Conference & Exhibition) pp.215-216
2009.10.17. Layout Principles of Modernism Architectural Style and Application in Modern Fashion Design / Çѱ¹º¹½ÄÇÐȸ 2009³â Ãß°è ±¹Á¦º¹½ÄÇÐȸ(ICC. International Costume Conference) pp.155-157
2007.5. Çö´ë ÆÐ¼Ç¿¡ ³ªÅ¸³­ ¹Ù·ÎÅ©Àû Ư¼º¿¡ °üÇÑ ¿¬±¸ / Çѱ¹ÆÐ¼ÇµðÀÚÀÎÇÐȸÁö 7±Ç 1È£ pp.29-39
2007.2. Çö´ëÆÐ¼Ç¿¡ ³ªÅ¸³­ ´ÏÆ® ¾ÆÀÌÅÛ °æÇâ¿¡ °üÇÑ ¿¬±¸ / ¼º±Õ°ü´ëÇб³ »ýȰ°úÇבּ¸¼Ò ßæüÀΡùÊ 10È£ pp.79-103
2006.10. ÇØ¿Ü ÆÐ¼Ç Ä÷º¼Ç¿¡ ³ªÅ¸³­ ´ÏÆ® ¾ÆÀÌÅÛ °æÇ⠺м® -´ÏÆ® ¾ÆÀÌÅÛ ºÐ·ù¸ñ·ÏÀÇ Á¦¾È°ú ½Ç¿ëÈ­¸¦ À§ÇÑ Å½»öÀû ºÐ¼®- / º¹½Ä¹®È­ÇÐȸ º¹½Ä¹®È­¿¬±¸ 14±Ç 5È£ pp.813-827
2006.2. Çö´ëÆÐ¼Ç¿¡ ³ªÅ¸³­ ÇØÃ¼ÁÖÀÇ Æ¯¼º¿¡ °üÇÑ ¿¬±¸ / ¼º±Õ°ü´ëÇб³ »ýȰ°úÇבּ¸¼Ò ßæüÀΡùÊ 9È£ pp.113-130
2005.12. Çö´ëÆÐ¼Ç¿¡ ³ªÅ¸³­ °íÀüÀû Á¶Çü ÆÐ·¯´ÙÀÓ¿¡ °üÇÑ ¿¬±¸ / º¹½Ä¹®È­ÇÐȸ º¹½Ä¹®È­¿¬±¸ 13±Ç 6È£ Åë±Ç59È£ pp.960-976
2003.4.18. Çö´ëÆÐ¼Ç¿¡ ³ªÅ¸³­ ´Ù¿øÈ­ Çö»ó¿¡ °üÇÑ ¿¬±¸ / ¼º±Õ°ü´ëÇб³ »ýȰ°úÇבּ¸¼Ò 2003³âµµ Ãá°èÇмú¹ßǥȸ
2003.1. Æ÷½ºÆ®¸ð´ø Æä¹Ì´ÏÁò°ú '¸ö' ¾ç½ÄÀÇ Å»°íÁ¤Àû Ç¥Çö¿¡ °üÇÑ ¿¬±¸ / Çѱ¹º¹½ÄÇÐȸ Ü×ãÞ 53±Ç 1È£ pp.49-66
2002.2. Çö´ëÆÐ¼Ç¿¡ ³ªÅ¸³­ Å»½ÅüÀÇ Ç¥Çö¿¡ °üÇÑ ¿¬±¸ / ¼º±Õ°ü´ëÇб³ »ýȰ°úÇבּ¸¼Ò ßæüÀΡùÊ 5È£ pp.59-78
2001.1. Çö´ëÆÐ¼Ç¿¡ ³ªÅ¸³­ Æ÷½ºÆ®¸ð´ø Æä¹Ì´ÏÁò¿¡ °üÇÑ ¿¬±¸ / ¼º±Õ°ü´ëÇб³ »ýȰ°úÇבּ¸¼Ò ßæüÀΡùÊ 4È£ pp.173-199
2000.1. ÄÄÇ»Åͱ׷¡ÇȽº¸¦ Ȱ¿ëÇÑ ÀÇ»óµðÀÚÀÎ ±³À°¿¡ °üÇÑ ¿¬±¸ / ¼º±Õ°ü´ëÇб³ »ýȰ°úÇבּ¸¼Ò ßæüÀΡùÊ 3È£ pp.295-324

 

 
 
 
 
 
 

 

 
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